Details: Minuet No 7 from A Little Notebook for Anna Magdalena Bach, which was a collection of domestic pieces Bach made for his wife and family. Arranged for Alto Sax Duo.
Arrangement for Alto-Sax
Difficulty: 5/9
Details: Minuet No 7 from A Little Notebook for Anna Magdalena Bach, which was a collection of domestic pieces Bach made for his wife and family. Arranged for Clarinet Duo.
Arrangement for Clarinet-Ensemble
Difficulty: 5/9
Details: Minuet No 7 from A Little Notebook for Anna Magdalena Bach, which was a collection of domestic pieces Bach made for his wife and family. Arranged for Flute Duo. Normally in G, this Minuet has been transposed to C for the higher register of the flute.
Arrangement for Flute
Difficulty: 5/9
Details: Minuet No 7 from A Little Notebook for Anna Magdalena Bach, which was a collection of domestic pieces Bach made for his wife and family. Arranged for Oboe Duo.
Arrangement for Oboe-Ensemble
Difficulty: 5/9
Details: Minuet No 7 from A Little Notebook for Anna Magdalena Bach, which was a collection of domestic pieces Bach made for his wife and family. Arranged for Violin Duo.
Arrangement for Violin
Difficulty: 5/9
Details: Minuet No 7 from A Little Notebook for Anna Magdalena Bach, which was a collection of domestic pieces Bach made for his wife and family. Arranged for Clarinet and Bass Clarinet Duo.
Arrangement for Clarinet-Ensemble
Difficulty: 5/9
Details: Minuet No 7 from A Little Notebook for Anna Magdalena Bach, which was a collection of domestic pieces Bach made for his wife and family. Arranged for Flute and Piano. Normally in G, this Minuet has been transposed to C for the higher register of the flute.
Arrangement for Flute
Difficulty: 3/9
Details: Minuet No 7 from A Little Notebook for Anna Magdalena Bach, which was a collection of domestic pieces Bach made for his wife and family. Arranged for Oboe and Piano.
Arrangement for Oboe
Difficulty: 3/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged for Cello and Guitar duo.
Arrangement for Cello
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged for Clarinet and Guitar duo.
Arrangement for Clarinet
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged as a duo for Descant Recorder and Guitar. Includes a part in D major, with guitar Capo II.
Arrangement for Recorder
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged as a duo for Descant Recorder and Guitar. D major.
Arrangement for Recorder
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged for Descant Recorder and Piano.
Arrangement for Recorder
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged for Flute and Guitar duo.
Arrangement for Flute
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged for Flute and Guitar duo. Eb major.
Arrangement for Flute
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. For piano.
Original for Piano
Difficulty: 3/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged for Guitar Duo
Arrangement for Guitar
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged for Viola and Guitar duo.
Arrangement for Viola
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged for Violin and Guitar duo.
Arrangement for Violin
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. For Voice and Piano.
Original for Voice
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged for Voice and Guitar.
Arrangement for Voice
Difficulty: 5/9
Details: Bist du bei Mir, or If You are With Me, from A Little Notebook for Anna Magdalena Bach, attributed to Bach but part of an opera by Stolzel. Arranged as a duo for Clarinet and Alto Saxophone.
Arrangement for Wind-Ensemble
Difficulty: 4/9
Details: The popular theme of the 1st movement arranged for a wind ensemble of 2 Flutes, Oboe, Clarinet, Bass Clarinet or Bassoon. Suitable for weddings. Abridged version, 1 minute 30 seconds.
Arrangement for Wind-Ensemble
Difficulty: 6/9
Details: The popular theme of the 1st movement arranged for a smaller ensemble, a sextet for 2 flutes, 3 clarinets and bassoon. Suitable for weddings. Abridged version, 1 minute 30 seconds.
Arrangement for Wind-Ensemble
Difficulty: 7/9
Details: The popular theme of the 1st movement arranged for a smaller ensemble of 2 solo flutes, flute, oboe, clarinet and bassoon. Suitable for weddings. Abridged version, 1 minute 30 seconds.
Arrangement for Wind-Ensemble
Difficulty: 7/9
Details: The popular theme of the 1st movement arranged for a smaller ensemble of 4 Bb Clarinets with option for Eb clarinet to play 1st part, and Bass Clarinet. Suitable for weddings. Abridged version, 1 minute 30 seconds.
Arrangement for Clarinet-Ensemble
Difficulty: 6/9
Details: The popular theme of the 1st movement arranged for a smaller ensemble of Flute, 3 Clarinets and Bass Clarinet. Suitable for weddings. Abridged version, 1 minute 30 seconds.
Arrangement for Wind-Ensemble
Difficulty: 6/9
Details: The popular theme of the 1st movement arranged for a wind ensemble of Flute, Oboe, 2 Clarinets, Bass Clarinet or Bassoon. Suitable for weddings. Abridged version, 1 minute 30 seconds.
Arrangement for Wind-Ensemble
Difficulty: 6/9
Details: The popular theme of the 1st movement arranged for a smaller ensemble of 2 flutes, violin and piano. Suitable for weddings. Abridged version, 1 minute 30 seconds.
Arrangement for Mixed-Ensemble
Difficulty: 5/9
Details: The popular theme of the 1st movement arranged for a smaller ensemble of Flute, 2 Clarinets and Piano. Suitable for weddings. Abridged version, 1 minute 30 seconds.
Arrangement for Mixed-Ensemble
Difficulty: 6/9
Details: The popular theme of the 1st movement arranged for a smaller ensemble of Flute, Clarinet, Violin and Piano. C major. Suitable for weddings. Abridged version, 1 minute 30 seconds.
Arrangement for Mixed-Ensemble
Difficulty: 7/9
Details: 3rd mvt of Brandenburg Concerto No 2 for trumpet, flute, oboe, violin plus string ensemble. Includes alternative part for Violin III instead of viola.
Arrangement for Mixed-Ensemble
Difficulty: 7/9
Details: The very popular 1st movement for solo violin, 2 flutes, strings and continuo. Suitable for weddings.
Original for Mixed-Ensemble
Difficulty: 8/9
Details: The popular theme of the 1st movement arranged for a smaller ensemble of 2 flutes and string quartet. Suitable for weddings.Abridged version, 1 minute 30 seconds.
Arrangement for Mixed-Ensemble
Difficulty: 7/9
Details: The very popular 1st movement for Clarinet in A, 2 flutes, strings and continuo.
Arrangement for Mixed-Ensemble
Difficulty: 8/9
Details: The popular theme of the 1st movement arranged for a smaller ensemble of Flute, Clarinet, Violin and Piano. Suitable for weddings. Abridged version, 1 minute 30 seconds.
Arrangement for Mixed-Ensemble
Difficulty: 8/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Guitar duo. A mi.
Arrangement for Guitar
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Guitar duo. B mi.
Arrangement for Guitar
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Cello, Easy Piano, E mi.
Arrangement for Cello
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Cello, Piano, E mi.
Arrangement for Cello
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Cello, Piano, G mi.
Arrangement for Cello
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Clarinet, Guitar duo. B mi.
Arrangement for Clarinet
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Clarinet, Piano, E mi.
Arrangement for Clarinet
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Flute and Guitar duo. A mi.
Arrangement for Flute
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Flute, Guitar duo. B mi.
Arrangement for Flute
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Flute, Piano. G mi.
Original for Flute
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. G minor: Cello, Guitar.
Arrangement for Cello
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Duo for Treble Recorder and Guitar. A mi.
Arrangement for Treble-Recorder
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Duo for Treble Recorder and Guitar. G mi.
Arrangement for Treble-Recorder
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Viola and Guitar duo. A mi.
Arrangement for Viola
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Duo for Viola and Guitar. B mi.
Arrangement for Viola
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Viola, Piano. G mi.
Original for Viola
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Duo for Violin and Guitar. A mi.
Arrangement for Violin
Difficulty: 5/9
Details: Siciliano from Sonata No.2, originally for Flute and Continuo. Believed to be by JS Bach, but possibly by CPE Bach, his eldest son. Written in Gothen when Bach was conductor of the Court Orchestra. Duo for Violin and Guitar. B mi.
Arrangement for Violin
Difficulty: 5/9
Details: 1st movement from Violin Concerto No. 1: Allegro. This can also be heard as a keyboard concerto arranged by Bach.
Original for String-Ensemble
Difficulty: 6/9
Details: Violin Concerto, 3rd movement, Allegro Assai for Solo Violin and Strings. Transposed down to D, a slightly easier key for strings.
Arrangement for Violin
Difficulty: 6/9
Details: Violin Concerto in E major, 1st movement, for Solo violin and strings.
Original for Violin
Difficulty: 7/9
Details: Violin Concerto in E major, 2nd movement, Adagio for Solo violin and strings.
Original for Violin
Difficulty: 7/9
Details: Violin Concerto in E major, 3rd movement, Allegro Assai for Solo violin and strings.
Original for Violin
Difficulty: 7/9
Details: Double Concerto, 1st movement, a lower version arranged for 2 Solo Clarinets plus piano reduction.
Arrangement for Clarinet-Ensemble
Difficulty: 6/9
Details: Double Concerto, 2nd movement, a lower version arranged for 2 Solo Clarinets plus piano reduction.
Arrangement for Clarinet-Ensemble
Difficulty: 6/9
Details: Double Concerto, 3rd movement, a lower version arranged for 2 Solo Clarinets plus piano reduction.
Arrangement for Clarinet-Ensemble
Difficulty: 6/9
Details: Double Concerto, 1st movement, arranged for Clarinet, Alto Sax plus piano reduction.
Arrangement for Wind-Ensemble
Difficulty: 7/9
Details: Double Concerto, 2nd movement, arranged for Clarinet, Alto Sax plus piano reduction.
Arrangement for Wind-Ensemble
Difficulty: 6/9
Details: Double Concerto, 3rd movement, arranged for Clarinet, Alto Sax plus piano reduction.
Arrangement for Wind-Ensemble
Difficulty: 8/9
Details: Double Concerto, 1st movement, arranged for Oboe, Clarinet plus piano reduction.
Arrangement for Oboe
Difficulty: 8/9
Details: Double Concerto, 2nd movement, arranged for Oboe, Clarinet plus piano reduction.
Arrangement for Oboe
Difficulty: 8/9
Details: Double Concerto, 3rd movement, arranged for Oboe, Clarinet plus piano reduction.
Arrangement for Oboe
Difficulty: 8/9
Details: Double Concerto, 1st movement, for Cello and Violin plus piano reduction.
Arrangement for Cello
Difficulty: 7/9
Details: Double Concerto, 3rd movement, for Cello and Violin plus piano reduction.
Arrangement for Cello
Difficulty: 7/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for String Quartet: 3 Violins and Cello.
Arrangement for String-Quartet
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Clarinet Quartet.
Arrangement for Clarinet-Ensemble
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Four Guitars.
Arrangement for Guitar
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Unaccompanied Cello.
Arrangement for Cello
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Cello and Piano.
Arrangement for Cello
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Clarinet and Guitar duo.
Arrangement for Clarinet
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Clarinet and Piano.
Arrangement for Clarinet
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged as a duo for Descant Recorder and Guitar.
Arrangement for Recorder
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Flute and Piano.
Arrangement for Flute
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Guitar.
Arrangement for Guitar
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for String Quartet: 2 Violins, Viola and Cello.
Arrangement for String-Quartet
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged as a duo for Two Pianos.
Arrangement for Piano-Duo
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Viola and Piano.
Arrangement for Viola
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Violin and Guitar duo.
Arrangement for Violin
Difficulty: 4/9
Details: BWV 1066: Orchestral Suite No.1, 6th Mvt: Two Bourrees with major and minor key contrast, arranged for Violin and Piano.
Arrangement for Violin
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 2nd Mvt: A pretty little Rondeau arranged as a duo for 2 Pianos, or Piano Duet if the top part is played up an octave.
Arrangement for Piano-Duo
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 2nd Mvt: A pretty little Rondeau arranged for Clarinet Quartet duo.
Arrangement for Clarinet-Ensemble
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 2nd Mvt: A pretty little Rondeau arranged for Guitar Quartet.
Arrangement for Guitar
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 2nd Mvt: A pretty little Rondeau arranged for 2 Violins, Viola and Cello.
Arrangement for String-Quartet
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 3rd Mvt: An elegant Sarabande arranged as a duo for 2 Pianos, or Piano Duet if the top part is played up an octave.
Arrangement for Piano-Duo
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 3rd Mvt: An elegant Sarabande arranged for Guitar Quartet.
Arrangement for Guitar
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 3rd Mvt: An elegant Sarabande arranged for 2 Violins, Viola and Cello.
Arrangement for String-Quartet
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 4th Mvt: Two Bourrees arranged as a duo for 2 Pianos, or Piano Duet if the top part is played up an octave.
Arrangement for Piano-Duo
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 4th Mvt: Two Bourrees arranged for Guitar Quartet.
Arrangement for Guitar
Difficulty: 5/9
Details: BWV 1067: Orchestral Suite No.2, 4th Mvt: Two Bourrees arranged as a duo for Flute and Piano.
Arrangement for Flute
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 4th Mvt: Two Bourrees arranged for 2 Violins, Viola and Cello.
Arrangement for String-Quartet
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 4th Mvt: Two Bourrees arranged as a duo for Trumpet and Piano.
Arrangement for Trumpet
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 4th Mvt: Two Bourrees arranged as a duo for Viola and Piano.
Arrangement for Viola
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 5th Mvt: Polonaise and Double, where the theme of the Polonaise is now played in the accompanying bass line: a duo for 2 Pianos, or Piano Duet if the top part is played up an octave.
Arrangement for Piano-Duo
Difficulty: 5/9
Details: BWV 1067: Orchestral Suite No.2, 5th Mvt: Polonaise and Double, where the theme of the Polonaise is now played in the accompanying bass line: Guitar Quartet
Arrangement for Guitar
Difficulty: 5/9
Details: BWV 1067: Orchestral Suite No.2, 5th Mvt: Polonaise and Double, where the theme of the Polonaise is now played in the accompanying bass line: Flute and Piano.
Arrangement for Flute
Difficulty: 5/9
Details: BWV 1067: Orchestral Suite No.2, 5th Mvt: Polonaise and Double, where the theme of the Polonaise is now played in the accompanying bass line: 2 Violins, Viola and Cello,
Arrangement for String-Quartet
Difficulty: 5/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged for Guitar Duo.
Arrangement for Guitar
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged as a duo for 2 Pianos, or Piano Duet if the top part is played up an octave.
Arrangement for Piano-Duo
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged for Guitar Quartet.
Arrangement for Guitar
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged as a duo for Trumpet and Piano.
Arrangement for Trumpet
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged as a duo for Violin and Guitar. A minor.
Arrangement for Violin
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged for Cello and Guitar duo.
Arrangement for Cello
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged for Descant Recorder and Guitar duo.
Arrangement for Recorder
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged for Flute and Guitar duo.
Arrangement for Flute
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged for Flute and Piano.
Arrangement for Flute
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged for 2 Violins, Viola and Cello.
Arrangement for String-Quartet
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged for Treble Recorder and Guitar aduo.
Arrangement for Treble-Recorder
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged for Viola and Guitar duo.
Arrangement for Viola
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged for Violin and Guitar duo.
Arrangement for Violin
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged as a trio for Violin, Cello and Guitar.
Arrangement for Violin
Difficulty: 4/9
Details: BWV 1067: Orchestral Suite No.2, 7th Mvt: the very well known Badinerie arranged as a duo for 2 Pianos, or Piano Duet if the top part is played up an octave.
Arrangement for Piano-Duo
Difficulty: 6/9
Details: BWV 1067: Orchestral Suite No.2, 7th Mvt: the very well known Badinerie arranged for Flute and Piano.
Arrangement for Flute
Difficulty: 6/9
Details: BWV 1067: Orchestral Suite No.2, 7th Mvt: the very well known Badinerie arranged for 4 Guitars.
Arrangement for Guitar
Difficulty: 6/9
Details: BWV 1067: Orchestral Suite No.2, 7th Mvt: the very well known Badinerie arranged for 2 Violins, Viola and Cello.
Arrangement for String-Quartet
Difficulty: 6/9
Details: BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for Guitar Duo.
Arrangement for Guitar
Difficulty: 5/9
Details: BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged as a duo for 2 Pianos, or Piano Duet if the top part is played up an octave.
Arrangement for Piano-Duo
Difficulty: 5/9
Details: BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for 3 Violins and Cello.
Arrangement for String-Quartet
Difficulty: 5/9
Details: BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for Cello and Piano.
Arrangement for Cello
Difficulty: 5/9
Details: BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for 4 Clarinets.
Arrangement for Clarinet-Ensemble
Difficulty: 5/9
Details: BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for Clarinet and Piano.
Arrangement for Clarinet
Difficulty: 5/9
Details: BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for Descant Recorder and Piano.
Arrangement for Recorder
Difficulty: 5/9
Details: BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for Flute and Piano.
Arrangement for Flute
Difficulty: 5/9
Details: BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for 4 Guitars.
Arrangement for Guitar
Difficulty: 5/9
Details: BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for 2 Violins, Viola and Cello.
Arrangement for String-Quartet
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for 2 Flutes and Piano.
Arrangement for Flute-Ensemble
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for 2 Flutes and Piano. D major.
Arrangement for Flute-Ensemble
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Flute, Violin and Guitar.
Arrangement for Mixed-Ensemble
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged as a trio for 2 Clarinets and Piano.
Arrangement for Clarinet-Ensemble
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged as a quartet for 3 Clarinets and Piano.
Arrangement for Clarinet-Ensemble
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged as a quartet for 3 Violins and Cello.
Arrangement for String-Ensemble
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Bass Clarinet and piano.
Arrangement for Bass-Clarinet
Difficulty: 6/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Bass Clarinet and Piano: F major.
Arrangement for Bass-Clarinet
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Bassoon and Piano: F major.
Arrangement for Bassoon
Difficulty: 7/9
Details: The 2nd movement of Orchestral Suite No.3: Air on G for Brass Quartet for 2 trumpets, trombone and tuba.
Arrangement for Brass-Ensemble
Difficulty: 5/9
Details: The 2nd movement of Orchestral Suite No.3: Air on G for Brass Quartet: Trumpet lead, with horn, trombone and tuba
Arrangement for Brass-Ensemble
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Cello and Guitar duo.
Arrangement for Cello
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Cello and Piano.
Arrangement for Cello
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Cello and Piano. C major.
Arrangement for Cello
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Clarinet and Guitar duo.
Arrangement for Clarinet
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Descant Recorder and Guitar duo.
Arrangement for Recorder
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Double Bass and Piano: G major.
Arrangement for Contrabass
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Flute and Guitar duo.
Arrangement for Flute
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Flute and Piano duo.
Arrangement for Flute
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Flute, 2 Clarinets and piano.
Arrangement for Mixed-Ensemble
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Flute, Clarinet, Cello and piano.
Arrangement for Mixed-Ensemble
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Guitar Quartet.
Arrangement for Guitar
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Guitar.
Arrangement for Guitar
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Guitar. D major.
Arrangement for Guitar
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Sax Quartet of Soprano, Alto, Tenor and Baritone. In original key of D major, this produces 5 sharps for Baritone and Alto.
Arrangement for Saxophone-Ensemble
Difficulty: 5/9
Details: The 2nd movement of Orchestral Suite No.3 is well known as Air on the G string. For string quartet of violins, viola and cello, the cello takes the high melody.
Arrangement for String-Quartet
Difficulty: 8/9
Details: The 2nd movement of Orchestral Suite No.3 is well known as Air on the G string. For 2 string orchestra or quartet of violins, viola and cello
Original for String-Quartet
Difficulty: 5/9
Details: The 2nd movement of Orchestral Suite No.3 is well known as Air on the G string. For string orchestra or quartet of violins, viola and cello, this version is in G major.
Arrangement for String-Quartet
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Tenor Sax and Piano.
Arrangement for Tenor-Sax
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Guitar Trio.
Arrangement for Guitar
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Trumpet and Piano.
Arrangement for Trumpet
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Trumpet and Piano. Eb major.
Arrangement for Trumpet
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Trumpet and Piano. F major.
Arrangement for Trumpet
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Trumpet and Piano: F major.
Arrangement for Trumpet
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Guitar Duo.
Arrangement for Guitar
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Guitar Duo. E major.
Arrangement for Guitar
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Piano Duo.
Arrangement for Piano-Duo
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Viola and Guitar duo.
Arrangement for Viola
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Viola and Piano.
Arrangement for Viola
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Violin and Guitar duo.
Arrangement for Violin
Difficulty: 7/9
Details: The 2nd movement of Orchestral Suite No.3: Air for Brass Quartet: Flute lead, with oboe, clarinet and bassoon or bass clarinet
Arrangement for Wind-Ensemble
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Baritone Saxophone and Piano.
Arrangement for Baritone-Saxophone
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Bass Clarinet and Piano.
Arrangement for Bass-Clarinet
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged in the low register for Bass Clarinet and Piano.
Arrangement for Bass-Clarinet
Difficulty: 5/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Bassoon and Piano.
Arrangement for Bassoon
Difficulty: 7/9
Details: Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Violin and Piano.
Arrangement for Violin
Difficulty: 5/9
Details: BWV 364: Jesus Christus unser Heiland: Quartet for 2 Trumpets and 2 Trombones.
Arrangement for Brass-Ensemble
Difficulty: 5/9
Details: The glorious Little Fugue for Church Organ.
Original for Organ
Difficulty: 8/9
Details: BWV 630: Heut triumphieret Gottes Sohn: Quartet for 2 Trumpets and 2 Trombones.
Arrangement for Brass-Ensemble
Difficulty: 5/9
Details: Sleepers Awake: the very well known Chorale Prelude for Sax Ensemble of Alto, Tenor and Baritone saxes. Tenor plays the chorale.
Arrangement for Saxophone-Ensemble
Difficulty: 6/9
Details: Sleepers Awake: the very well known Chorale Prelude for Clarinet Ensemble of 2 Clarinets and 1 Bass Clarinet. 2nd Clarinet plays the chorale.
Arrangement for Clarinet-Ensemble
Difficulty: 6/9
Details: Sleepers Awake: the very well known Chorale Prelude for Cello and Piano.
Arrangement for Cello
Difficulty: 5/9
Details: Sleepers Awake: the very well known Chorale Prelude for a duo of Clarinet and Bass Clarinet without the chorale. Bcl choice for low Eb or low C.
Arrangement for Clarinet-Ensemble
Difficulty: 6/9
Details: Sleepers Awake: the very well known Chorale Prelude for a duo of Clarinet and Double Bass without the chorale.
Arrangement for Mixed-Ensemble
Difficulty: 6/9
Details: Sleepers Awake: the very well known Chorale Prelude for Flute and Cello.
Arrangement for Flute
Difficulty: 5/9
Details: Sleepers Awake: the very well known Chorale Prelude: a duo for Flute melody accompanied by Oboe, without the chorale.
Arrangement for Wind-Ensemble
Difficulty: 6/9
Details: Sleepers Awake: the very well known Chorale Prelude: a duo of Flute and Oboe without the chorale. This version uses some low notes on the flute, and both instruments have their turn to play the melody.
Arrangement for Wind-Ensemble
Difficulty: 6/9
Details: Sleepers Awake: the very well known Chorale Prelude for Organ.
Original for Organ
Difficulty: 6/9
Details: Sleepers Awake: the very well known Chorale Prelude for Organ. C major.
Original for Organ
Difficulty: 5/9
Details: Sleepers Awake: the very well known Prelude, a simplified version with the obligato but without the chorale melody.
Arrangement for Piano
Difficulty: 5/9
Details: Sleepers Awake: the very well known Chorale Prelude arranged for a wind ensemble of Flute, Oboe, 2 Clarinets, Bassoon or Bass Clarinet.
Arrangement for Wind-Ensemble
Difficulty: 6/9
Details: Sleepers Awake: the very well known Chorale Prelude arranged for a wind ensemble of 2 Flutes, Oboe, Clarinet, Bassoon or Bass Clarinet.
Arrangement for Wind-Ensemble
Difficulty: 6/9
Details: Sleepers Awake: the very well known Chorale Prelude for Wind Ensemble of Flute, Clarinet and Bassoon. Clarinet plays the chorale.
Arrangement for Wind-Ensemble
Difficulty: 6/9
Details: Bach Marcello Harpsichord Concerto based on Marcello oboe concerto: First movement, full of momentum for Piano or Harpsichord.
Original for Harpsichord
Difficulty: 7/9
Details: Bach Marcello Harpsichord Concerto based on Marcello oboe concerto: Second movement, the beautiful and famous Adagio, for Piano or Harpsichord.
Original for Harpsichord
Difficulty: 6/9
Details: Bach Marcello Harpsichord Concerto based on Marcello oboe concerto: Third movement, a fun and lively piece for Piano or Harpsichord.
Original for Harpsichord
Difficulty: 7/9
Details: Italian Concerto 1st Movement for piano or harpsichord solo
Original for Piano
Difficulty: 8/9
Details: Arioso, a duo for piano solo plus piano accompaniment. This is from Cantata 156, and also the 2nd movement of the 5th keyboard concerto.
Arrangement for Piano-Duo
Difficulty: 6/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged as a trio for two Violins and Piano.
Arrangement for Violin-Ensemble
Difficulty: 6/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Alto Sax, Violin and Piano.
Arrangement for Alto-Sax
Difficulty: 6/9
Details: Arioso, the beautiful slow movement from Concerto No.5 and from Cantata 156, arranged for Baritone Sax and Piano.
Arrangement for Baritone-Saxophone
Difficulty: 7/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Bass Clarinet and Piano.
Arrangement for Bass-Clarinet
Difficulty: 7/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Bassoon and Piano.
Arrangement for Bassoon
Difficulty: 7/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Cello and Piano.
Arrangement for Cello
Difficulty: 7/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Cello and Guitar duo.
Arrangement for Cello
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, a high version arranged for Cello and Piano. Uses tenor and treble clefs.
Arrangement for Cello
Difficulty: 7/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged as a duo for Clarinet and Guitar in Capo I position.
Arrangement for Clarinet
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Clarinet, Violin and Piano.
Arrangement for Clarinet
Difficulty: 6/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Flute, Alto Sax, Violin and Cello.
Arrangement for Mixed-Ensemble
Difficulty: 6/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Flute and Guitar duo.
Arrangement for Flute
Difficulty: 6/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged as a duo for Flute and slightly easier Guitar.
Arrangement for Flute
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged as a duo for Flute and Piano. A major.
Arrangement for Flute
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged so that each player has a bit of the melodic line; for Flute, Violin and Piano.
Arrangement for Flute
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Guitar duo with full ornamentation.
Arrangement for Guitar
Difficulty: 8/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, a slightly easier arrangement for Guitar duo.
Arrangement for Guitar
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Guitar Quartet. Includes choice between simple or embellished melody.
Arrangement for String-Ensemble
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Guitar Trio.
Arrangement for Guitar
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Piano.
Arrangement for Piano
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Piano Duet.
Arrangement for Piano-Duet
Difficulty: 6/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for String Quartet and Guitar.
Arrangement for Mixed-Ensemble
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Treble Recorder and Guitar duo.
Arrangement for Treble-Recorder
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Trombone and Piano.
Arrangement for Trombone
Difficulty: 7/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged as a duo for Trumpet and Piano.
Arrangement for Trumpet
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Viola and Piano.
Arrangement for Viola
Difficulty: 7/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Viola and Guitar duo.
Arrangement for Viola
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Violin and Piano.
Arrangement for Violin
Difficulty: 7/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Violin and Piano. C major.
Arrangement for Violin
Difficulty: 7/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Violin and Guitar duo.
Arrangement for Violin
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Violin and Guitar duo.
Arrangement for Violin
Difficulty: 5/9
Details: Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Violin and Piano, Bb major.
Arrangement for Violin
Difficulty: 7/9
Details: Gavotte from English Suite No. 3, arranged as a duo for alto and tenor saxophone
Arrangement for Saxophone-Ensemble
Difficulty: 5/9
Details: Gavotte from English Suite No. 3, arranged as a duo for clarinet and baritone saxophone.
Arrangement for Wind-Ensemble
Difficulty: 5/9
Details: Gavotte from English Suite No. 3, arranged as a duo for Clarinet and Bass Clarinet
Arrangement for Clarinet-Ensemble
Difficulty: 5/9
Details: Gavotte from English Suite No. 3, arranged as a duo for flute and bassoon.
Arrangement for Wind-Ensemble
Difficulty: 5/9
Details: Gavotte from English Suite No. 3, arranged as a duo for flute and cello.
Arrangement for Wind-Ensemble
Difficulty: 5/9
Details: Gavotte from English Suite No. 3, arranged as a duo for oboe and bassoon.
Arrangement for Wind-Ensemble
Difficulty: 5/9
Details: Gavotte from English Suite No. 3, arranged as a duo for trumpet and tuba
Arrangement for Trumpet
Difficulty: 5/9
Details: Gavotte from English Suite No. 3, arranged as a duo for violin and cello
Arrangement for String-Ensemble
Difficulty: 5/9
Details: Gavotte from English Suite No.3 for Flute and Bass Clarinet.
Arrangement for Wind-Ensemble
Difficulty: 6/9
Details: Aria from Goldberg Variations, with all ornamentation written out as it should be played. For Harpsichord
Original for Harpsichord
Difficulty: 6/9
Details: Aria from Goldberg Variations, with all ornamentation written out as it should be played. For Piano.
Original for Piano
Difficulty: 6/9
Details: Aria from the Goldberg Variations, including the written out ornamentation, for Guitar Duo.
Arrangement for Guitar
Difficulty: 6/9
Details: Aria from the Goldberg Variations, for Cello and Guitar duo. D major.
Arrangement for Cello
Difficulty: 6/9
Details: Aria from the Goldberg Variations, for Cello and Guitar duo. G major.
Arrangement for Cello
Difficulty: 6/9
Details: Aria from the Goldberg Variations, including the written out ornamentation, for Clarinet and Guitar duo.
Arrangement for Clarinet
Difficulty: 6/9
Details: Aria from the Goldberg Variations, including the written out ornamentation, a duo for Descant Recorder and Guitar.
Arrangement for Recorder
Difficulty: 6/9
Details: Aria from the Goldberg Variations, including the written out ornamentation, for Piano Solo.
Original for Piano
Difficulty: 6/9
Details: Aria from the Goldberg Variations, a trio for Violin, Viola and Cello.
Arrangement for Violin
Difficulty: 6/9
Details: Aria from the Goldberg Variations, for Treble Recorder and Guitar duo.
Arrangement for Treble-Recorder
Difficulty: 6/9
Details: Aria from the Goldberg Variations, duo for Viola and Guitar.
Arrangement for Viola
Difficulty: 6/9
Details: Aria from the Goldberg Variations, a duo for Violin and Guitar.
Arrangement for Violin
Difficulty: 6/9
Details: 1st Goldberg Variation marks a contrast to the preceding Aria. It is neat and elegant with a flowing semiquaver pace. For Harpsichord.
Original for Harpsichord
Difficulty: 6/9
Details: 1st Goldberg Variation marks a contrast to the preceding Aria. It is neat and elegant with a flowing semiquaver pace. For Piano.
Original for Piano
Difficulty: 6/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for Clarinet, Bass Clarinet and piano.
Arrangement for Clarinet-Ensemble
Difficulty: 6/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for French Horn in F, Euphonium and piano.
Arrangement for French-Horn
Difficulty: 6/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for Oboe, Bassoon and piano.
Arrangement for Oboe
Difficulty: 6/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for Trumpet and piano.
Arrangement for Trumpet
Difficulty: 6/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147: trio for Violin, Cello and piano.
Arrangement for Violin
Difficulty: 6/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for 2 Clarinets and piano.
Arrangement for Clarinet-Ensemble
Difficulty: 6/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for 2 Flutes, Violin and piano.
Arrangement for Mixed-Ensemble
Difficulty: 5/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for 3 Violins and piano.
Arrangement for Mixed-Ensemble
Difficulty: 6/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for Flute, Clarinet, Cello and piano.
Arrangement for Mixed-Ensemble
Difficulty: 6/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for piano or organ solo.
Arrangement for Piano
Difficulty: 4/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for Flute, Clarinet, Violin and Piano.
Arrangement for Mixed-Ensemble
Difficulty: 5/9
Details: Jesu, Joy of Mans Desiring: Church Cantata No.147 for Flute, Violin, Alto Sax and Bass Clarinet.
Arrangement for Mixed-Ensemble
Difficulty: 6/9
Details: Gavotte en Rondeau from Partita No 3 in E for solo violin.
Original for Violin
Difficulty: 8/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. With words. May be sung or played as a piano solo.
Arrangement for Piano
Difficulty: 5/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged for clarinet and piano.
Arrangement for Clarinet
Difficulty: 5/9
Details: Sheep May Safely Graze from the Birthday Cantata, BWV 208, in the lower key of D major. This depicts a peaceful existence, be it in a marriage or a country. For Voice and Piano or Organ.
Arrangement for Voice
Difficulty: 5/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged for flute and piano.
Arrangement for Flute
Difficulty: 4/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged for oboe and piano.
Arrangement for Oboe
Difficulty: 4/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged for tenor saxophone and piano.
Arrangement for Tenor-Sax
Difficulty: 4/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged for trumpet and piano.
Arrangement for Trumpet
Difficulty: 4/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged for viola and piano.
Arrangement for Viola
Difficulty: 6/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged for violin and piano.
Arrangement for Violin
Difficulty: 6/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. For higher voice with words.
Arrangement for Voice
Difficulty: 5/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. In A major, for high voice with words.
Arrangement for Voice
Difficulty: 5/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. In G major, for high voice with words.
Arrangement for Voice
Difficulty: 5/9
Details: Sheep May Safely Graze from the Birthday Cantata, BWV 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged as a duo for Clarinet and Alto Sax.
Arrangement for Wind-Ensemble
Difficulty: 5/9
Details: Sheep May Safely Graze from the Birthday Cantata, BWV 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged as a duo for Alto and Tenor Sax.
Arrangement for Saxophone-Ensemble
Difficulty: 4/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged for alto saxophone and piano.
Arrangement for Alto-Sax
Difficulty: 4/9
Details: Sheep May Safely Graze, No. 9 from the Birthday Cantata No. 208. This depicts a peaceful existence, be it in a marriage or a country. Arranged for Flute and Piano. Long version, Bb.
Arrangement for Flute
Difficulty: 6/9
New works are added by request. We can arrange for different instrumentation or skill levels. New requests are normally priced at $10. Unusual or complex requests may cost more.
All our music is set out in modern easy to read fonts. Systems and bars are clearly spaced. All our music has separate instrumental parts where works involve more than one instrument.
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